—json {
"name":"Cc. Antya 1.126", "h1":"Cc. Antya 1.126", "label":"Text 126", "title":"Śrī Caitanya-caritāmṛta, Antya-līlā 1.126", "description":"\"The two plays are called Vidagdha-mādhava and Lalita-mādhava. Both of them wonderfully describe ecstatic emotional love of God.\""
} —
vidagdha-mādhava āra lalita-mādhava
dui nāṭake prema-rasa adabhuta saba“
vidagdha-mādhava—one is named Vidagdha-mādhava; āra—and; lalita-mādhava—named Lalita-mādhava; dui nāṭake—in two plays; prema-rasa—ecstatic mellows of emotional love for Kṛṣṇa; adabhuta—wonderful; saba—all.
“The two plays are called Vidagdha-mādhava and Lalita-mādhava. Both of them wonderfully describe ecstatic emotional love of God.”
Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura informs us in this connection that Śrīla Rūpa Gosvāmī composed the drama known as Vidagdha-mādhava in the year Śakābda 1454, and he finished Lalita-mādhava in Śakābda 1459. The discussion between Rāmānanda Rāya and Śrīla Rūpa Gosvāmī at Jagannātha Purī took place in Śakābda 1437.